queerly historical theatrical and Edna Walling inspirational
pushing through
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I saw this plant pushing through the tarmac and cement nestled against a shop wall catching the early morning sun. It's not a weed, it's a Plain Tree seedling! Such determination! Where there's life ...
- and Louise Abbéma loved Sarah Bernhardt. True! I'm especially interested in historical lesbian relationships between women artists and I've just discovered this one. Sarah Bernhardt (pictured above) was an internationally mega-famous French actress who specialised in tragic roles during the late nineteenth and early twentieth century. Known worldwide as 'the divine Sarah' she played female and (unusual for the time) male roles. These included Camille, Tosca, Joan of Arc, Cleopatra and an unforgettable Hamlet. Born in Paris in 1844 to a Dutch Jewish unmarried courtesan and a wealthy Catholic Frenchman, Bernhardt received a Catholic education and displayed 'star' qualities from a young age. Given her unconventional upbringing, there was no hesitation about allowing Sarah to display her talents on stage. Sarah met Louise in 1874 and the pair remained very close until Sarah's death in 1923 (- many other affairs notwithstanding). Here's a self portrait by L...
Michelle de Kretser and I became friends when I was a mature student at University of Melbourne back in the late 1980s. Michelle was my tutor and, perhaps because I was a mature student with a theatre background, she took a liking to me and I of course liked and admired her. This was about a decade before she began to win major prizes for her novels. A few days ago, Michelle was announced as the winner of the prestigious Stella Prize - named after Stella Miles Franklin, author of My Brilliant Career. Michelle de Kretser's prize-winning novel is called Theory and Practice - and it's a fabulous read. But what I really want to record here is Michelle's acceptance speech. Please read it in full. It is very important, to all of us. Hello everyone. Thank you all so much for being here. The 2025 Stella Prize does my work great honour, and I’m so happy to accept it. I wish I could join you in person to celebrate all the long and shortlisted writers. As that’s not possible, I’m reco...
If you are in Melbourne then you might be interested in Baggage Productions: MadWomen Monologues. Every year they call for entries from women writers to submit a ten minute (or less) monologue for performance. They select 12 or so from the entries and present them - at the Butterfly Club in November. Half the income from ticket sales goes to a women's charity. I have a monologue in the second season called Hell's Little Helper . For more info and Early Bird reduced-price tickets go to https://thebutterflyclub.com/ show/the-madwomen-monologues- 2019 Program One: 11-16 November 2019 An Interview Ain’t No Sure Thing written by Phoebe Taylor, directed by Keith Gow, performed by Seon Williams Butterfly Kicks written by Jamila Main, directed by Renee Palmer, performed by Liliana Dalton The Cosmonaut’s Child written by Alison Knight, directed by Chris Boek, performed by Andrew Godson Fair Trade written by Carrolline Rhodes, directed by Adele Shelley, performe...
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