queerly historical theatrical and Edna Walling inspirational
pushing through
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I saw this plant pushing through the tarmac and cement nestled against a shop wall catching the early morning sun. It's not a weed, it's a Plain Tree seedling! Such determination! Where there's life ...
- and Louise Abbéma loved Sarah Bernhardt. True! I'm especially interested in historical lesbian relationships between women artists and I've just discovered this one. Sarah Bernhardt (pictured above) was an internationally mega-famous French actress who specialised in tragic roles during the late nineteenth and early twentieth century. Known worldwide as 'the divine Sarah' she played female and (unusual for the time) male roles. These included Camille, Tosca, Joan of Arc, Cleopatra and an unforgettable Hamlet. Born in Paris in 1844 to a Dutch Jewish unmarried courtesan and a wealthy Catholic Frenchman, Bernhardt received a Catholic education and displayed 'star' qualities from a young age. Given her unconventional upbringing, there was no hesitation about allowing Sarah to display her talents on stage. Sarah met Louise in 1874 and the pair remained very close until Sarah's death in 1923 (- many other affairs notwithstanding). Here's a self portrait by L...
Three good pieces of theatre in the last four weeks - all seen at fortyfive downstairs , Flinders Lane, Melbourne. An unusual production of A Room of One's Own by Virginia Woolf was presented by Sentient Theatre - it's an adaptation of Woolf's lectures given to the women of Cambridge University in 1928. Somewhat surprisingly, this production had a cast of four, three women and one man. Each was an aspect of Virginia's argument. They tossed Woolf's ideas around the space, challenging each other with her witty, literary, feminist teasings. It took a while to get used to four voices, but it worked, cleverly keeping the pace of Woolf's playful propositions afloat - though not always tapping into her mischievous wit. This production is going on regional tour - do see it - the ideas are as fresh as they were when Virginia Woolf first penned them - which does not say much for the progress of women's place in society. It's good to see Virginia Woolf...
If you are in Melbourne then you might be interested in Baggage Productions: MadWomen Monologues. Every year they call for entries from women writers to submit a ten minute (or less) monologue for performance. They select 12 or so from the entries and present them - at the Butterfly Club in November. Half the income from ticket sales goes to a women's charity. I have a monologue in the second season called Hell's Little Helper . For more info and Early Bird reduced-price tickets go to https://thebutterflyclub.com/ show/the-madwomen-monologues- 2019 Program One: 11-16 November 2019 An Interview Ain’t No Sure Thing written by Phoebe Taylor, directed by Keith Gow, performed by Seon Williams Butterfly Kicks written by Jamila Main, directed by Renee Palmer, performed by Liliana Dalton The Cosmonaut’s Child written by Alison Knight, directed by Chris Boek, performed by Andrew Godson Fair Trade written by Carrolline Rhodes, directed by Adele Shelley, performe...
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